This shoot began with a wall and a clock ticking.
An hour before Alana arrived at my studio, I painted the backdrop. What I had originally created didn’t match the direction we had discussed. It felt wrong. So I covered it. Started again. Layers of blue. Movement. A wash that felt futuristic without feeling cold.
Printz (Alana’s partner) and I had talked about a space -age softness. Something dimensional. Something that felt like the inside of a dream rather than a literal set.
The final backdrop was built quickly, intuitively. Brushstrokes still fresh.
The session itself was a collaboration in the truest sense. Alana is not just a musician. She is a stylist, a painter, a visual artist in her own right. She did her own wardrobe and makeup. Every piece she wore carried intention. The hat was made by someone she admires. The jewelry, the silhouettes, the structure of each look. All chosen with care.
Nothing about this shoot was accidental.
Shot in layered blues to echo the futuristic tone we discussed, these portraits explore strength and self-possession. Hands framing the face. Light catching metal. Shape against texture.
I’ve spent over a decade documenting musicians and artists across Australia and the United States, and the work is always strongest when it feels shared. When the artist arrives fully formed and we build something together.
Alana brought that energy.
This series is about creative control.
About reinvention in real time.
About building a world from scratch and stepping into it.